Tuesday, February 10, 2009

Radiohead goes to the Grammys

With regards to the Moose

Dakota Fanning: the Interview













In addition to his top notch interviews with Neil Gaiman and Henry Selick at this past week's premier of Coraline (check out today's Vanguard to read 'em), Jeff Hammond also got to chat with one Dakota Fanning about her role as Coraline's title character and other such shenanigans. Read on...

Vanguard: So when did you initially record your lines for Coraline?

Dakota Fanning (DF): I've been working on this for like five years so I've had a lot of recording sessions.
VG: Did you get to visit the set at all?

DF: I did, yeah it was fascinating to be able to see the models and the clothes that are on the models and the sets, which are so real … they're made out of, I don't know what the material actually is, but it’s different faces and they take them on and off and they move the faces, it's really incredible.

VG: When you were recording your lines, were you given something you could look at to get an idea of what your character was experiencing?

DF: They brought some of the models so I could see what some of the other characters looked like … when I did my first recording session, they hadn't even started filming yet, they were still building everything. So I didn't really have a lot to go off of but it really didn't matter I don't think, because Henry (Selick, Director) is so descriptive…

VG: When you were working in the recording booth, was Henry there the whole time to sort of coach you?

DF: He was there every time and when he couldn't be there he was on the TV in his office … which was so helpful because he is so specific and he knows exactly what he wants, and it's great to have him there to be able to describe that.

VG: Did you get to meet any of the other cast members before hand to talk about the film?

DF: No, never. The only cast member I’ve met is Teri Hatcher and I have never met her at anything to do with Coraline, I met her at a charity event actually.

VG: When you watch films you do, particularly with animation, how easy is it to detach yourself from watching yourself, is it easier with an animated film?

DF: Maybe, yeah. 'Cause you’re not really looking at yourself, you know? For me when I'm watching movies I’m in or my voice is in, I just kind of watch it as a movie and kind of forget that I’m in it sometimes.

VG: Going off on a bit of a tangent, there have been a lot of rumors going around about you being in New Moon. Have they actually offered you the part already?

DF: Yeah, I definitely hope that it does work out, I would love to be a part of it, I'm a huge, huge fan, so I really hope that I get to play Jane so we'll see … definitely looking forward to it working out, so we'll see, I'm sure everyone will know soon.

VG: So you've also got Push coming out tomorrow right?

DF: I do.

VG: So you filmed a lot in Hong Kong?

DF: The whole thing. I was there for almost three months … I loved it, I really could have stayed for a lot longer, I really enjoyed it.
VG: Since you've got Push and Coraline opening tomorrow, that's two big movies on one day, are you more excited for one or the other?

DF: I'm not you know, I think that they're both kind of geared toward different people so I hope that people enjoy both of them. So much work has gone into both of them, a lot longer has been spent on Coraline, but it's ironic that they're coming out on the same day.

Monday, February 9, 2009

The 2009 Grammy Awards


Last night was the 2009 Grammy Awards. Here's a brief list of results. Follow this link to see complete results (featuring awards like Best Surround Sound Album and Best Polka Album) along with nominees and winners.

Record Of The Year
"Please Read The Letter"
Robert Plant & Alison Krauss

Album Of The Year
Raising Sand
Robert Plant & Alison Krauss

Song Of The Year
"Viva La Vida"
Written and performed by Coldplay.

Best New Artist
Adele

Best Dance Recording
"Harder Better Faster Stronger"
Daft Punk

Best Electronic/Dance Album
Alive 2007
Daft Punk

Best Pop Vocal Album
Rockferry
Duffy

Best Traditional Pop Vocal Album
Still Unforgettable
Natalie Cole

Best Rock Song
"Girls In Their Summer Clothes"
Written and performed by Bruce Springsteen.

Best Rock Album
Viva La Vida Or Death And All His Friends
Coldplay

Best Alternative Music Album
In Rainbows
Radiohead

Best R&B Song
"Miss Independent"
Written by Mikkel S. Eriksen, T.E. Hermansen & S. Smith. Performed by Ne-Yo.

Best R&B Album
Jennifer Hudson
Jennifer Hudson

Best Contemporary R&B Album
Growing Pains
Mary J. Blige

Best Rap Song
"Lollipop"
Written by D. Carter, S. Garrett, D. Harrison, J. Scheffer & R. Zamor. Performed by Lil Wayne Featuring Static Major.

Best Rap Album
Tha Carter III
Lil Wayne

Best Country Song
Stay
Written by Jennifer Nettles. Performed by Sugarland.

Best Country Album
Troubadour
George Strait

Thursday, February 5, 2009

The Vanguard hits the "Coraline" Red Carpet Event



The Vanguard hit the Red Carpet Premiere of Laika's new stop-motion feature film Coraline at the Arlene Schnitzer Concert Hall. Check out some photos from the premiere, and check the Vanguard on Tuesday for interviews with Neil Gaiman, Dakota Fanning and Henry Selick. Also, check back here next week for video footage from the premiere. (All photos by Marni Cohen)
Left: Coraline Director Henry Selick  Right: Nike Co-founder and Laika owner, Phil Knight
Left: Actress Teri Hatcher voices Coraline's mom  Right: Coraline Author, Neil Gaiman

Above: Lead Animator on Coraline and son of Phil Knight, Travis Knight

Above, from left: Phil Knight, Producer Bill Mechanic and Lead Animator Travis Knight

Above, from left: Actress Teri Hatcher and Director Henry Selick

Above: Author Neil Gaiman is interviewed by KGW NewsChannel 8

Above: Actress Dakota Fanning voices the title character Coraline

Above: Actor Robert Bailey Jr. voices Wybie

Wednesday, February 4, 2009

New Arcade Fire and Sufjan Stevens!!

For those of you not already drooling over the "Dark Was the Night" compilation here are two excellent reasons to start doing so: "Lenin" by the Arcade Fire and "You are the Blood" by Buck 65 (remixed by Sufjan Stevens).

The Arcade Fire track is classic Arcade Fire and while very good in its own right, it is easily overshadowed by the epic "holy-fucked-ness" of "You are the Blood." Listen to that sucker, Sufjan really let loose his inner editor on this one and the results are beyond epic.

Ticketmaster fucks everyone over (again)








How's this for the latest chapter in Ticketmaster's horrible, shameful legacy (via the ever-lovely AV club):

A bunch of Bruce Springsteen fans tried to buy tickets for an upcoming show at the Meadowlands through the Ticketmaster website. They were taken to a screen that claimed that tickets weren’t available from Ticketmaster, but could be purchased for many times their face value from TicketsNow, a ticket resell outfit currently owned by Ticketmaster. In response to fan outrage, U.S. Rep. Bill Pascrell of New Jersey is lobbying for the Federal Trade Commission and the Justice Department to look into a possible conflict of interest. For its part, the company said through a spokesman that only a few fans reported problems.

Whether this is a mistake or not (my money's on not) it's just gross of Ticketmaster to contemplate ripping off their customers to such a horrific degree. Having worked for a Ticketmaster outlet in the past I can say with absolute certainty that the company is about as blatantly unethical as you can get (old news, I know) and I'm surprised that both the US people and US government have failed to rise up and depose it at some point in the past.

Maybe this will finally push things in that direction...

Tuesday, February 3, 2009

The lovely Laura Gibson

You should check out the interview with Laura Gibson in today's issue of the Vanguard. Not only is Ms. Gibson insightful and interesting but there are some excellent revelations about her academic endeavors as well.

In the mean time here are a few videos of Portland's foremost chanteuse:

With Colin Meloy:


All on her lonesome:


and on top of construction equipment (thanks to Live from the Wreckage!):